Category: Uncategorized

  • Running by Tatum Treffeisen

    Running by Tatum Treffeisen

    Tatum Treffeisen’s “Running” doesn’t chase your attention—it lingers in the periphery, slowly unfolding like a memory you didn’t realize still mattered.

    The track opens with a guitar line that’s neither showy nor subdued—just present, like the sound of thoughts settling into place. As the rhythm section gradually joins in, there’s a sense of movement, but it’s not a sprint. It’s more like walking through fog with a map you only half remember. The build is subtle, intentional—each layer arriving with quiet purpose.

    There’s a stillness beneath the motion, a vulnerability threaded through the song’s structure. The drums and bass don’t drive the track—they support it, breathing underneath like a pulse. That restraint gives Tatum’s voice the space it needs to exist fully: open, clear, and unguarded. She doesn’t lean into theatrics. She doesn’t have to.

    Lyrically, “Running” balances dualities: momentum and stagnation, surface strength and hidden weight. It’s about moving forward not because everything’s okay, but because stopping feels more dangerous. The juxtaposition of bright, almost breezy instrumentation with introspective lyrics is striking—like a smile that doesn’t quite reach the eyes.

    What makes this track resonate is its quiet honesty. It doesn’t declare itself a confessional, but that’s what it becomes. There’s beauty in the restraint, in how much it chooses to leave unsaid.

    “Running” is for the moments between breakdowns, for the people who keep going even when their hearts are heavier than they admit. Tatum Treffeisen captures that internal contradiction with grace—and lets it breathe.

  • Replay by Poison Oak

    Replay by Poison Oak

    There’s no slow build here, no preamble. The track launches straight into motion, all jangly urgency and tightly wound frustration. The guitars are angular and alive, dancing between melodic hooks and sonic disarray, like they’re on the verge of unraveling—but never quite do. It’s chaos with purpose.

    The rhythm section keeps things anchored. Drums snap and surge with a kind of restless discipline, giving the track its momentum without stealing focus. Everything feels lean, like there’s no room for excess. That tension becomes part of the song’s DNA—always moving, always pushing.

    Vocally, there’s a refreshing lack of polish. No theatrical flair, no performative angst—just a voice that sounds like it’s been through a few long weeks and finally had enough. It’s that quiet, familiar kind of emotional fatigue, the one you don’t notice until it spills out mid-conversation or, in this case, mid-chorus. The delivery carries weight not because it’s loud, but because it’s lived-in.

    Lyrically, “Replay” avoids overstatement. It trusts the listener to fill in the blanks. That’s the beauty of it—nothing’s forced. It’s a track that captures the emotional grind of monotony without turning it into melodrama.

    In just a few minutes, Poison Oak manages to bottle up a very specific kind of burnout and let it explode in a way that feels strangely cathartic. “Replay” isn’t trying to be an anthem—it just is. And that’s what makes it stick.