From its opening moments, “Good and True” draws the listener in with vocals that seem to glow with sincerity. Mary Beth Orr’s delivery is gentle yet assured, creating a connection that feels immediate and heartfelt. The clarity in her voice captures emotion without exaggeration, letting the words breathe naturally. It is the kind of introduction that promises both beauty and depth, and the song delivers on that promise throughout.
The pairing of French horn and guitar is at the core of the track’s character. The horn’s warm, resonant tones weave effortlessly around the guitar’s delicate patterns, each instrument enhancing the other. There is a graceful balance between the two, neither overshadowing the other, but instead blending into a soundscape that feels as organic as it is carefully crafted. Every note carries intention, and the result is music that feels deeply personal.
Rooted in the birthing song of the Dagara Tribe, as shared by Sobonfu Somé, the piece carries a sense of cultural heritage that enriches its personal themes. By weaving reflections on motherhood, love, and grief into this inspiration, the song feels grounded in both tradition and lived experience. It speaks to the universal human condition while honoring its source with respect.
By the time the final note fades, “Good and True” leaves the listener in quiet contemplation. It does not need dramatic swells or heavy instrumentation to make an impact. Instead, it offers a space for reflection, carrying its meaning through simplicity, sincerity, and a timeless sense of connection.